Since 1848, Paris has been a popular destination by rail network, with Paris at its centre. Among Paris' first mass attractions drawing international interest were the above-mentioned Expositions Universelles that were the origin of Paris' many monuments, namely the Eiffel Tower from 1889. These, in addition to the capital's Second Empire embellishments, did much to make the city itself the attraction it is today.
Beautiful Eiffel Tower, Paris
Paris receives around 28 million tourists per year (42 in the whole Paris Region), of which 17 million are foreign visitors. Its museums and monuments are among its highest-esteemed attractions; tourism has motivated both the city and national governments to create new ones. The city's most prized museum, the Louvre, welcomes over 8 million visitors a year, being by far the world's most-visited art museum. The city's cathedrals are another main attraction: Notre Dame de Paris and the Basilique du Sacré-Coeur receive 12 million and eight million visitors, respectively. The Eiffel Tower, by far Paris' most famous monument, averages over six million visitors per year and more than 200 million since its construction. Disneyland Paris is a major tourist attraction for visitors to not only Paris but also the rest of Europe, with 14.5 million visitors in 2007.
The Louvre is one of the world's largest and most famous museums, housing many works of art, including the Mona Lisa (La Joconde) and the Venus de Milo statue. Works by Pablo Picasso and Auguste Rodin are found in Musée Picasso and Musée Rodin, respectively, while the artistic community of Montparnasse is chronicled at the Musée du Montparnasse. Starkly apparent with its service-pipe exterior, the Centre Georges Pompidou, also known as Beaubourg, houses the Musée National d'Art Moderne.
Art and artifacts from the Middle Ages and Impressionist eras are kept in Musée Cluny and Musée d'Orsay, respectively, the former with the prized tapestry cycle The Lady and the Unicorn. Paris' newest (and third-largest) museum, the Musée du quai Branly, opened its doors in June 2006 and houses art from Africa, Asia, Oceania, and the Americas.
Many of Paris' once-popular local establishments have come to cater to the tastes and expectations of tourists, rather than local patrons. Le Lido, the Moulin Rouge cabaret-dancehall, for example, is a staged dinner theatre spectacle, a dance display that was once but one aspect of the cabaret's former atmosphere. All of the establishment's former social or cultural elements, such as its ballrooms and gardens, are gone today. Much of Paris' hotel, restaurant and night entertainment trades have become heavily dependent on tourism.
The largest opera houses of Paris are the 19th century Opéra Garnier (historical Paris Opéra) and modern Opéra Bastille; the former tends towards the more classic ballets and operas, and the latter provides a mixed repertoire of classic and modern. In middle of 19th century, there were two other active and competing opera houses: Opéra-Comique (which still exists to this day) and Théâtre Lyrique (which in modern times changed its profile and name to Théâtre de la Ville).
Theatre traditionally has occupied a large place in Parisian culture. This still holds true today, and many of its most popular actors today are also stars of French television. Some of Paris' major theatres include Bobino, Théâtre Mogador, and the Théâtre de la Gaîté-Montparnasse. Some Parisian theatres have also doubled as concert halls. Many of France's greatest musical legends, such as Édith Piaf, Maurice Chevalier, Georges Brassens, and Charles Aznavour, found their fame in Parisian concert halls: Legendary yet still-showing examples of these are Le Lido, Bobino, l'Olympia and le Splendid.
The Élysées-Montmartre, much reduced from its original size, is a concert hall today. The New Morning is one of few Parisian clubs still holding jazz concerts, but the same also specialises in "indie" music. In more recent times, the Le Zénith hall in Paris, La Villette quarter and a "parc-omnisports" stadium in Bercy serve as large-scale rock concert halls.
Several yearly festivals take place in Paris, such as Rock en Seine. Parisians tend to share the same movie-going trends as many of the world's global cities, that is to say with a dominance of Hollywood-generated film entertainment. French cinema comes a close second, with major directors (réalisateurs) such as Claude Lelouch, François Truffaut, Jean-Luc Godard, Claude Chabrol, and Luc Besson, and the more slapstick/popular genre with director Claude Zidi as an example. European and Asian films are also widely shown and appreciated. A specialty of Paris is its very large network of small movie theatres. In a given week, the movie fan has the choice between around 300 old or new movies from all over the world.
Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms: Paris' largest cinema today is by far le Grand Rex theatre with 2,800 seats, whereas other cinemas all have fewer than 1,000 seats. There is now a trend toward modern multiplexes that contain more than 10 or 20 screens.
Two of Paris' oldest and famous gardens are the Tuileries Garden, created in the 16th century for a palace on the banks of the Seine near the Louvre, and the Left bank Luxembourg Garden, another former private garden belonging to a château built for Marie de' Medici in 1612. The Jardin des Plantes, created by Louis XIII's doctor Guy de La Brosse for the cultivation of medicinal plants, was Paris' first public garden.
A few of Paris' other large gardens are Second Empire creations: The former suburban parks of Montsouris, Parc des Buttes Chaumont, and Parc Monceau (formerly known as the "folie de Chartres") are creations of Napoleon III's engineer Jean-Charles Alphand. Another project executed under the orders of Baron Haussmann was the re-sculpting of Paris' western Bois de Boulogne forest-parklands; the Bois de Vincennes, on the city's opposite eastern end, received a similar treatment in years following.
Newer additions to Paris' park landscape are the Parc de la Villette, built by the architect Bernard Tschumi on the location of Paris' former slaughterhouses; the Parc André Citroën, and gardens being laid to the periphery along the traces of its former circular "Petite Ceinture" railway line: Promenade Plantée.
